Dickens’ Christmas Carol by the Walt Disney Players

Walt Disney Productions
Dickens’ Christmas Carol
Disneyland Records. Catalog #3811. 1974

 

     Many great actors have donned the facade of Charles Dickens’ Ebenezer Scrooge.  Lionel Barrymore, Basil Rathbone, Ronald Colman, and Arthur Anderson come to mind, but Uncle Scrooge McDuck? Yes, Uncle Scrooge brought the character of Ebenezer to life in Disney’s adaptation of “A Christmas Carol” released as an LP record album.
    “Dickens’ classic Christmas Carol, which dates from 1843, is now as much a part of the traditional holiday celebration as Christmas stockings, holly wreaths and plum pudding.  The spooky tale of the miser who reformed is well suited to the classic talents of Uncle Scrooge (playing the character for which he was named, together with Donald Duck and Mickey and Minnie Mouse.  The redoubtable Goofy makes a hilarious appearance as the chain-dragging ghost of Jacob Marley.  Charles Dickens would have loved it,” says Disney in the album liner notes.  Inside the record jacket is bound a twelve page children’s book complete with beautiful Disney artwork to further engage the child as the story played on the old hi-fi.
     According to Craig Wichman, author of “Standing in the Spirit at Your Elbow,” a book documenting radio and recorded versions of Dickens’ Carol, Disney’s version is unique in many ways.  First, the LP version pre-dated the popular animated television feature, Mickey’s Christmas Carol, released in 1983 which would spawn its own soundtrack album.
     Wichman cites evidence of a rare and previous version of the Disney LP featuring “different album art, characters, and performers including Bill Lee in the role of Scrooge.”  Apparently this earlier version was not successful, and veteran actor Alan Young (of Mr. Ed fame) took up the project.  Together with voice actor Alan Dinehart, the two adapted the script for the new production.
     Alan Young, once a member of a Dickens Society, kept his script generally faithful to Mr. Dickens’ Carol.  Of course the story had to be adapted to appeal to children which was accomplished quite well with the addition of some humor and musical numbers.  Bill Lee’s portrayal of old Ebenezer is quite good.  Lee also performs several other roles in the production including voicing Mickey Mouse’s Bob Cratchit.  Veteran voice actor Clarence Nash lends his talents to Donald Duck.
     Joining Mickey, Donald, and Scrooge McDuck are a host of other characters from favorite Walt Disney classics.  Daisy Duck and Minnie Mouse make their appearances, of course, but we also hear Merlin, the Giant form Mickey and the Beanstalk, Morty (Mickey’s nephew), the Witch from Snow White, Ferdy (another of Mickey’s nephews), and others. 
     Produced and conducted by Buddy Baker with music lyrics by Tom and Frances Adair, Disney’s adaptation of A Christmas Carol is not just a wonderful way to introduce children to Mr. Dickens’ treasure, but also gives today’s children a little glimpse into the by-gone days of sitting next to the radio or record player, listening to a wonderful story, and drawing in your mind the pictures to accompany the words. 

You may contact Craig Wichman at QuicksilverRT@aol.com or purchase his book Standing in the Spirit at Your Elbow on Amazon.

 
 
This blog is written and published by DLF Music Transfer, LLC  dba Christmas LPs to CD.  For more information on Christmas music or to purchase CDs of classic Christmas records on CD, please visit our website www.christmaslpstocd.com , call us 888-384-6970, or e-mail us david@dlfmusic.com.


    

The Power of Music

      


 
     I don’t remember a time in my life when music wasn’t there.   I sat in a rocking chair next to my mother as she sang my baby brother to sleep.  We sang in the car to pass the time.  Some of my earliest memories are dancing while my dad played guitar and sang.  I participated in every music program offered from the time I started school until I graduated.  Music soothes me when I am stressed or down in the dumps and gets me moving when I have household chores to do.
     I cannot count the number of times a customer has called or written us after finding on our website the Christmas music  remembered from childhood.  “This music takes me right back home with my family so many years ago,” is a common refrain. 
     Some physicians and their elder patients are discovering that music is also therapy.  In the March 2013, AARP Bulletin published an article by Sally Abrahms entitled “The Power of Music.”  I share that article with you here.

“Geriatrician Theresa Allison, M.D., can’t talk with her grandmother.  Alzheimer’s disease has left her without the ability to see, converse or recognize her granddaughter.  Yet the two are able to interact.  Instead of talking, they sing.

” ‘I’ve watched her babble non-sense, but the bounce my son on her knee as we sing a folk song she taught me as a child.  For 45 seconds, life is completely normal,’ says Allison.  ‘Engaging this way is profoundly meaningful.’

“Allison, a musicologist as well as physician and assistant professor in the Division of Geriatrics at the University of Califronia, San Francisco, sometimes sings songs with her frightened or confused patients to get them to relax during a physical exam.  And she encourages generous doses of music in caregiving, whether the loved one is cognitively intact or has memory loss.

“The healing power of music was recognized in ancient Greece; Aristotle and Plato wrote about it.  And though the field of music therapy formally debuted in 1950, only recently has it gained many fans, including hospitals, adult day care and senior centers, and nursing homes.  Health care professionals often refer patients to music therapists – the country has more than 6,000 nationally certified ones (find one at musictherapy.org).

“And health workers are using music to treat a long list of conditions:  depression, Tourette syndrome, Huntington’s disease, autism, Parkinson’s disease, stroke, brain injury and cardiac disease.  It can be part of pain management and cancer treatments.  Lately, researchers have focused on how music can benefit those with Alzheimer’s.  Anecdotal evidence shows that music can tap memories and reduce anxiety, pain, heart rate and blood pressure.  It can help accelerate healing, boost learning, improve neurological disorders and increase social interaction.

“Sophisticated imaging techniques such as PET scans and MRIs are beginning to reveal the full picture.  ‘Neuroscientists who have wondered how someone with a stroke or brain injury can recover speech by singing, or why a person with Parkinson’s can walk or dance to music but not without it, have now acquired the technology to see, in real time, how music stimulates and activates networks in the brain,’ says Connie Tomaino, executive director of the Institute for Music and Neurologic Function in New York.  The research is still in its infancy, she says, but it suggests that music may improve specific functions such as speech and movement.

“If you are a caregiver, music can also help you with daily caregiving activities. Music therapists offer these suggestions:

Select Familiar Songs
“Most people remember music from childhood or when they were in their 20s.  Does Mom love opera or show tunes? What songs make her dnace?

“After former U.S. Representative Gabrielle Giffords was shot in January 2011 and suffered brain damage, she was unable to speak.  But her mother knew her favorite songs — ‘American Pie,’ ‘Brown Eyed Girl,’ ‘Over the Rainbow’ — and along with Gifford’s dad, husband, and music therapist, surrounded her with the music she loved.

” ‘Gabby could sing several words in a phrase, but couldn’t put a three-word sentence together on her own,’ says her music therapist, Maegan Morrow, of TIRR Memorial Hermann hospital in Houston.  Morrow had her sing her needs, such as ‘I want to go to bed’ or ‘I’m tired.’ Help your loved one recall words by singing part of a familiar song and having her finish the line with you, or alone.

Choose Your Music Source
“Pick what works best for you: a CD player, an MP3 player or iPod, a tablet like an iPad or a Kindle, or a time-tested turntable and vinyl collection.  No music of your own? Local libraries often have good CD selections.

“The website Pandora.com will tailor a radio station to match your musical taste when you select an artist, song or genre.  And the website musicandmemory.org/request-guide offers a free guide to creating a personalized playlist. (Find music collections we’ve put together on the site Spotify to help you with caregiving at aarp.org/playlists.)

Use Music To Alter Moods
“Diagnosed with Parkinson’s, Domenic Trifone, 59, of Newington, Conn., has difficulty walking and doing things on his own, which leaves the retired postal worker depressed.  But when his wife, Susan, 56, plays Gregorian chants or opera, he is soothed.  When she plays his favorite Billy Joel or Jim Croce songs, she’ll often dance, pulling him up to join her.

“Donna Poulos has seen the effect music has on her 90-year-old mother, Grace Long.  ‘When I’d leave her house, my mother would be sad, but if I put on classical or opera, she wouldn’t miss me.  Instead, she’d wave good-bye, close her eyes and be transported by the music,” says Poulos, a grade school music teacher from Los Altos, Calif.  When Poulos is driving with her mother, Long sways to the music and taps her toes, or they sing old tunes such as “Oh, What A Beautiful Mornin’ ” and “This Land Is Your Land.” 

” ‘I really think music is one of the things that has kept her alive and happy,’ says Paulos.

Gear Music To Activities
“You can use music to get loved ones through transitions, whether it’s moving from one room to another or on to a different task, says Alicia Clair, professor of music therapy at the University of Kansas.  Play peaceful music when Mom is waking up.  Pick up the pace with active, upbeat songs when getting her dressed for the day.

” ‘One of the best ways to get directions across is to sing, rather than speak, them,” says Clair, who for 20 years has used music therapy for people with dementia.  ‘Never use loud, frenetic music,’ she warns.  Need to coax a loved one into the shower? Put on Duke Ellington and dance together into the bathroom.

Make Music Together
“Sitting together and listening to music can be bonding.  Taking care of someone who can’t communicate can make a caregiver feel lonely and unable to relate, but music can provide a way to connect that is profoundly meaningful.

“A pilot study by New York University Langone Medical Center’s comprehensive Center on Brain Aging found that members of the Unfogettables, a New York City chorus made up of those with early to mid-stage Alzheimer’s and their caregiving spouses and children, reported more self-esteem, better moods, less depression and a greater quality of life after 13 rehearsals and on concert.

“Joe Fabiano, 65, has been bringing his wife, Anita, 65, to the two-hour weekly rehearsals since the chorus was formed two years ago.  ‘This is something we can share,’ says Joe.  ‘It makes me think of the old days, when we were happy.’ Says Anita, ‘It’s good for my husband and helps me a lot.  I like the camaraderie.’

“That camaraderie can also ward off the loneliness that often accompanies caring for those with dementia.  Husbands, wives and partners appreciate being with others who are dealing with the condition.  ‘Having a place where there are people who can be together in a supportive, caring group is wonderful,’ says Josephine Gruder.  She brings her husband, Herman, 85, a former longshoreman.  Social worker Suzie Engel, 66, sang in the chorus with her mother, Norma, who died in January 2012.  Engel still attends.  ‘This group is like family,’ she says.  The Unforggeatables’ co-conductor, Tania Papayannopoulou, a music therapist from the Institute for Music and Neurologic Function and a pianist/singer, teaches the group breathing, vocalizing, musical memory exercises and movement — good stress relievers as well as mental and physical exercise for all.

“Not a singer?  Consider rhythm.  Drumming with others later in life is also a growing trend, according to Encinitas, California music therapist and author Christine Stevers, who teaches health care professionals and family caregivers about percussion.  ‘You don’t have to be musical whatsoever,’ says Steverns.  In her hospital room, former Rep. Giffords participated in a drum circle with her family and friends.

“Visit remo.com/health to find a drumming group.

Tune In To Your Own Needs
“Music can be a great source of relief and pleasure.  When her husband is at adult day care, during other times of the day, or before bed, Susan Trifone will turn on the tunes. ‘My body gets in rhythm to the beat and it makes me feel much better.  But even more, music helps me get away from my everyday problems.”

There’s An Ap For That!
If you can’t join a music group, you can mimic what they do with applications for your smartphone or tablet.

SingFit – Desinged by a music therapist, this app is like a portable karoke machine that helps participants sing along by prividing lyric prompts, adjustable music volume and keys, and voice playback.  Available for Apple products.

Magic Piano – Tap the dots on the screen and it plays songs at varying speeds.  For both Andorid and Apple products.

Songify – This ap turns something you said – a poem, a birthday greeting, a passage from a book – into a song.  For both Android and Apple products.

Sally Abrahms blogs about caregiving at aarp.org/blogs. “


UPDATE: from April 2013  AARP Bulletin

These letters were submitted to AARP Bulletin in response to the article above which we shared with you last month.

Sweet harmony:
     “The Power of Music” [March] was so true!  The last eight months of my mother’s life were made livable by the power of chocolate and music.
     She existed on chocolate protein drings and powder – in oatmeal, in soup, in vegetables.  As long as it tasted like chocolate, she ate it and thrived.

     On our weekly outings I would pop a CD in the car player, and she just marveled: Right there in the car were Andy Williams, Perry Como, Vic Damone, Elvis (she just loved Elvis!).
A big smile would come on her face, and she would sit back, close her eyes and sing along, all the words, to all the songs.  We would drive for a couple of hours, stop for a chocolate milkshake and return to her assisted living home, where she had a CD player and earphones.
     I lost her about two months ago, at 96, but she passed with a smile on her lips and her hands “dancing” with the music.
-Judy DeVries, Phoenix

     “The wonderful article “The Power of Music” brought back memories of many music therapy sessions I had with patients at San Francisco Bay area hospitals and homes.
     I will never forget one particular visit with a bedridden former doctor.  When I arrived, the family ushered me into his bedroom, where two caregivers were spoon-feeding the fellow.  He had not spoken in two years.
     When I started to sing his favorite Frank Sinatra songs, his eyes opened wide and he began to sing the words along with me.  There were tears in everyone’s eyes.  Gradually, I pulled back, and his solo singing and laughing continued.
-Allan Richards, Burlingame, CA.

This blog is written and published by DLF Music Transfer, LLC  dba Christmas LPs to CD.  For more information on Christmas music or to purchase CDs of classic Christmas records on CD, please visit our website www.christmaslpstocd.com , call us 888-384-6970, or e-mail us david@dlfmusic.com.


Disney – Same Cover Different Releases?

    It’s confusing!  Why did they do that?  We hear these questions often from callers who are trying to figure out which record they had.  Was it Disney’s Merry Christmas Carols?  Was it Disney’s Christmas All-Time Favorites?  The cover photos are identical.  The song listings are similar.  Maybe we can help. 
     Both albums were licensed by Disney to Buena Vista Marketing.  Vista Marketing released the first, Disney’s Merry Christmas Carols, in 1980 following it up with Disney’s Christmas All-Time Favorites in 1981.  In the world of copyright, in order to use the artistic property of another, one must receive permission from the owner.  In this case, Disney owned both the voices of the characters as well as the images of their characters.  Buena Vista Marketing obtained from Disney a license to use their “property” in the production and distribution of these recordings.  It is likely that the Vista license for the 1980 album was still valid in 1981 when they released the “Christmas All-time Favorites” album which enabled them to legally re-use the artwork and music from the “Merry Christmas Carols” album adding newly licensed material to their 1981 endeavor.  So, if in doubt which album you had, opt for the Disney’s All-Time Christmas Favorites.  It contains all the material from Disney’s Merry Christmas Carols as well as nine additional songs.
     (And, yes, the artist listed as Molly Ringwald is THE Molly Ringwald that you remember from “The Breakfast Club” and other 1980s movies.)

Disney’s Merry Christmas Carols
 
The Chipmunk Song (Christmas Don’t Be Late)
by Chip’n’Dale and Donald
I Wish It Could Be Christmas All Year Long
Willio and Phillio
Sleigh Ride
Mickey, Donald, Goofy, and Larry Croce
Away In A Manger
Larry Groce
Here We Come A-Caroling
Larry Groce
The First Noel
Molly Ringwald
Here Comes Santa Claus
Mickey, Donald, Goofy, & Larry Groce
Joy to the World
Larry Groce
Silver Bells
Larry Groce
The Twelve Days of Christmas
Mickey, Donald, Goofy, Minnie Mouse, Chip’n;Dale, Clarabelle Cow & Larry Groce
Have Yourself a Merry Little Christmas
Larry Groce
 
 
Disney’s Christmas All-Time Favorites
 
The Chipmunk Song (Christmas Don’t Be Late)
Chip’n’Dale and Donald
Joy to the World
Larry Groce
The Twelve Days of Christmas
Mickey, Donald, Goofy, Minnie Mouse, Chip’n’Dale, Clarbelle Cow, and Larry Groce
White Chirstmas
Larry Groce & Disneyland Children’s Sing-Along Chorus
Frosty the Snowman
Larry Groce
I Wish It could Be Christmas All Year Long
Willio and Phillio
Away In A Manger
Larry Groce
Here Comes Santa Claus
Mickey Mouse, Donald Duck, Goofy, and Larry Groce
Jingle Bells
Disneyland Children’s Sing-Along Chorus
Deck The Halls
Larry Groce & Disneyland Children’s Sing-Along Chorus
Sleigh Ride
Mickey Mouse, Donald Duck, Goofy, and Larry Groce
Here We Come A-Caroling
Larry Groce
Do You Hear What I Hear?
Mike Sammes Singers
O Christmas Tree
Larry Groce
Santa Claus Is Coming to Town
Larry Groce
The First Noel
Molly Ringwald
Silver Bells
Larry Groce
Have Yourself A Merry Little Christmas
Larry Groce
Winter Wonderland
Larry Groce & Disneyland Children’s Sing-Along Chorus
Silent Night
Larry Groce & Disneyland Children’s Sing-Along Chorus
 
 
This blog is written and published by DLF Music Transfer, LLC  dba Christmas LPs to CD.  For more information on Christmas music or to purchase CDs of classic Christmas records on CD, please visit our website www.christmaslpstocd.com , call us 888-384-6970, or e-mail us david@dlfmusic.com.
 
 

The Civil War Christmas Song – "I Heard the Bells on Christmas Day"

The home of Henry Wadsworth Longfellow in Cambridge, MA


     Written by a gifted American poet on the heels of the loss of his wife and the disabling injury to his son in the Civil War, “I Heard The Bells On Christmas Day” is an American Christmas standard.  First set to music in 1872 by English organist, John Baptiste Calkin, the Calkin version of the carol was long the standard and was recorded by popular artists such as Elvis Presley, The Mormon Tabernacle Choir, Johnny Cash, and Jimmie Rodgers.  In 1950, Johnny Marks also set Longfellow’s poem to music. Marks’ version was recorded by Fred Waring and the Pennsylvanians, Kate Smith, Ed Ames, Frank Sinatra, Bing Crosby and many others.  Though Calkin’s version is still heard, it is Marks’ version that we most often hear at Christmastime.
     In the December 22, 2011 edition of the Washington Times, Martha M. Boltz tells the story of Longfellow’s lamentations that led to this wonderful Christmas standard.  We share it with you here.

Fannie Longfellow and Children

     “Many musicians and writers of poetry will admit that some of their finest work comes when they have experienced a death or a tragedy of some kind, that the writing of poetry has an almost cathartic effect on the writer.
     Such is the case of one of the best known and most beloved carols associated with Christmas, “I Heard the Bells on Christmas Day,” which came from the pen of American poet Henry Wadsworth Longfellow (1807-1882) and was written on Christmas Day, 1864.
His had been a tortured life in last few years before that day. On July 11, 1861, his wife Fanny had clipped some long curls from the head of her seven-year-old daughter, Edith, and wanting to save them in an envelope, melted a bar of sealing wax with a candle to seal the envelope.
     Somehow the thin fabric of her clothing caught fire, and she quickly ran to Longfellow’s nearby study for help. He immediately tried to extinguish the flames with a small rug, and when that failed, he threw his arms around Fanny to smother the flames, causing him to sustain serious burns on his face, arms, and hands. His heroic act did not suffice, and Fanny died the next morning of her injuries. Longfellow was unable to even attend the funeral.
     Photographs of Longfellow taken or made after the fire usually show him with a full beard, since he was no longer able to shave properly due to the burns and scarring.
The coming of the holiday season in the Longfellow house became a time of grieving for his wife while trying to provide a happy time for the children left at home. It was during Christmas 1862 that he wrote in his journal, “A ‘merry Christmas’ say the children, but that is no more for me.”
     He had also suffered another disappointment when his oldest son, Charles Appleton “Charley” Longfellow, quietly left their Cambridge, Mass. home, and enlisted in the Union Army much against the wishes of his father.

Charles (Charley) Longfellow

     In mid-March, Longfellow had received word from Charles, saying, “I have tried hard to resist the temptation of going without your leave, but I cannot any longer.” The determined young man continued, “I feel it to be my first duty to do what I can for my country and I would willingly lay down my life for it if it would be of any good.”
He was 17 years old and went to Capt. W. H. McCartney, who was in charge of Battery A of the 1st Mass. Artillery, asking to be allowed to enlist. McCartney knew the boy and knew he did not have his father’s permission, so he contacted the senior Longfellow to see if he could obtain it on his behalf. Longfellow conceded and acceded to the request.
It was only a few months later that Charley came down with typhoid fever and malaria and was sent home to recover, not rejoining his unit until August 15, 1863.
     Following the Gettysburg battle, which Charley had fortunately missed, the conflict made its way into Virginia, and it was at the Battle of New Hope Church, in Orange, VA., part of the Mine Run Campaign, that the young Lt. Longfellow sustained injuries, which seriously disabled him. He was hit in the shoulder and the ricocheting bullet took out some portions of several vertebrae. It was reported that he missed being paralyzed by less than one inch. Longfellow traveled to where his injured son was hospitalized and brought him home to Cambridge to recover.  The war for Charley was over.
     And so at Christmas of 1864, a reflective and sad poet sat down and began to write the beautiful words that we sing each Christmas:

I Heard the Bells on Christmas Day

Their old familiar carols play,
And wild and sweet the words repeat
Of peace on earth, good will to men.

I thought how, as the day had come,
The belfries of all Christendom
Had rolled along the unbroken song
Of peace on earth, good will to men.

And in despair I bowed my head:
“There is no peace on earth,” I said,
“For hate is strong and mocks the song
Of peace on earth, good will to men.”

Then pealed the bells more loud and deep:
“God is not dead, nor doth he sleep;
The wrong shall fail, the right prevail,
With peace on earth, good will to men.”

Till, ringing, singing, on its way,
The world revolved from night to day,
A voice, a chime, a chant sublime,
Of peace on earth, good will to men! 
 

     “Remembering that this was written during the Civil War, even though not published until 1872, we see the concerns of the War were much on Longfellow’s mind and heart. Thus there were two other verses that appeared in the original as verses four and five and are not song today, since they emphasize his feelings surrounding the War:

Then from each black accursed mouth
The cannon thundered in the South,
And with the sound,
The carols drowned
Of peace on earth, good-will to men!

It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn,
The households born
Of peace on earth, good-will to men!
 

     Longfellow’s heartfelt words of loss and hope were published and well received. John Baptiste Calkin (1827-1905), an English composer, was similarly affected by the poem, and it was he who penned the music that we know and sing today, slightly rearranging the verses or stanzas as he did.
While he was an organist and a music teacher, Calkin probably is best known as the composer of the music for Longfellow’s poem.
     It is a glorious carol and provides the enduring concept that despite tragedy, loss, and even warfare, there is within most of us the hope and wish for “peace on earth, good-will to men!”

Read more of Martha’s columns on The Civil War at the Communities at the Washington Times.

This blog is written and published by DLF Music Transfer, LLC  dba Christmas LPs to CD.  For more information on Christmas music or to purchase CDs of classic Christmas records on CD, please visit our website www.christmaslpstocd.com , call us 888-384-6970, or e-mail us david@dlfmusic.com.